The Intel: Piu Marie Eatwell
If macabre Victorian litigation is your thing then you’ll be kicking yourself for forgetting to read our review of The Dead Duke, His Secret Wife And The Missing Corpse. But don’t despair, take your head out of your hands. Simply scroll down a bit, a little bit more, nearly there, to see that triumphant review. Alternatively, click here.
The Druce Portland affair was one of the most drawn-out legal sagas the Uk has ever seen, and Piu weaves an eccentric tale of tunnelling dukes, desperate widows and dirty, rotten scoundrels, spanning the Victorian and Edwardian eras. So—and you know where we’re going with this by now—Piu is here to give us the intel on the whole lurid affair.
Born in Calcutta and raised in the UK, Piu has lived in Paris for the last decade, where she found the inspiration for her first book, about the French, called They Eat Horses, Don’t They? Liu talks double lives, intensive research and slogging…
Tell us about The Dead Duke, His Secret Wife And The Missing Corpse…
The Dead Duke, his Secret Wife, and the Missing Corpse is a historical true-crime story. It re-tells the fantastic story of the alleged double life of the 5th Duke of Portland, a Victorian eccentric who burrowed a maze of underground passages beneath the family seat of Welbeck Abbey, Nottinghamshire. A celebrated court case of the time alleged that the Duke had lived a double life as a businessman in Baker Street. It dragged on for ten years. Was it true?
The story has as many twists and turns as a novel— how did you come across this Victorian cause celebre?
I was snooping around some second-hand bookshops looking for a new story, when I came across this in a tatty, 1970s book about ‘Victorian Scandals.’ I was hooked.
What does the whole affair tell us about the Victorians and Edwardians, do you think?
It tells us a lot about the duplicity and hypocrisy of the era. The Victorians prided themselves on their strict sense of ‘morality’ and high standards of honour in public and private life: the reality, of course, was very different.
The book is packed with a delicious cast of scoundrels and chancers – which of the participants in the case really came alive for you as you researched them?
I have to admit to a secret crush on the 5th Duke of Portland. Even after all this research, I still don’t know what made him ‘tick’. Why did he dig hundreds of miles of tunnels under his estate? Was he a genius, or just plain crazy?
It took me about a year to research and write the book, with three visits to the Manuscripts and Special Collections Department at Nottingham University to review and make notes on the documents. Following such a long and complicated case was a huge undertaking.
What’s the hardest lesson you ever had to learn about writing?
Dedication and self-motivation. Also, the sheer craft of writing. People tend to think of writing as ‘inspiration’, but actually it’s about 5% inspiration and 95% sheer slog: writing, re-writing, putting pen to paper when you’re tired, complying with deadlines, being rejected, and plodding on. I always say – when people tell me they have a ‘book in them’ – to write three, rip them up, put them in the bin, and then write another! If you can do that, you might have a chance….
Who are the authors you admire, and why?
There are so many! I tend to be influenced by people I’m reading at any one time. At the moment I’m reading a lot of American literature as research for my next book (set in 1940s California), so I would say Raymond Chandler (The Big Sleep), John Steinbeck (The Grapes of Wrath), and Truman Capote (In Cold Blood). All of them capture the strange ‘doubleness’ of America: on the one hand the American dream, and on the other, the American nightmare.
Give me some advice about writing…
All the points made above about craft, determination, and diligence.
What’s next for you?
I like to alternate true crime with books about France (where I live). So I’ve got a new trivia book about France coming out next Spring, and a project on the Elizabeth Short/ “Black Dahlia” murder, which took place in Los Angeles in 1947, in the pipeline.